Body Lines

Body Lines - that is ballet. That is dance. The body is the instrument. The body is the vessel. Ballet attire - leotard, tights - fitting like skin. Every line, every curve, every nuance. The beautiful body; human, animal, flesh, bone, sinew. Movement gathered. Movement projected.  Static and fluid. Never ending.

...there is only the dance

At the still point of the turning world. 
Neither flesh nor fleshless;
Neither from nor towards; 
at the still point, there the dance is,
But neither arrest nor movement. 
And do not call it fixity,
Where past and future are gathered. 
Neither movement from nor towards,
Neither ascent nor decline. 
Except for the point, the still point,
There would be no dance, 
and there is only the dance.

T.S. Eliot  from the Four Quartets (Burnt Norton)

$5.00 off Ballet Camp ends June 1st! Register today for your discount!

Ballet Camp Schedule

Swan Lake

Ballet Camp

at the

Rockland School of Ballet

Mini Ballet Camp             Age 3-4

(must be no younger than 3 and potty trained)

Mini Ballet Camp is specially designed for the very special needs of the very young dancer. In addition to a daily movement class in ballet and creative movement, dancers in this camp will watch and learn about the ballet Swan Lake, and explore movement through pantomime and dramatic creative expression. Ballet Campers will perform a short dance for parents at the end of the week.     June 18 – 22, 9:00 – 11:00  $90.00

Ballet Camp 1                  Age 5-6

Ballet Camp 1 is for beginning students as well as those who have already been in a dance program. In addition to a daily movement class in ballet and creative movement, dancers in this camp will watch and learn about the ballet Swan Lake, and explore movement through pantomime and dramatic creative expression. Students will also learn valuable lessons about anatomy, health & nutrition, dance history & vocabulary. Ballet Campers will perform a short dance for parents at the end of the week.  July 23 – July 27, 9:00–12  $135.00

Cinderella DANCEcamp Summer 2011

Ballet Camp 2                    Age 7-8

Ballet Camp 2 is similar to the younger Ballet Camps, suitable for experienced as well as inexperienced dancers, with more advanced materials. Includes a daily movement class in ballet and creative movement, the ballet Swan Lake, valuable lessons in music analysis, dance history, vocabulary, nutrition, and anatomy. Ballet Campers will perform a short dance for parents at the end of the week.   July 16 - 20, 9:00 – 3:00   $270.00

Ballet Camp 3                   Age 9-11

This two week Ballet Camp 3 is also suitable for experienced as well as inexperienced dancers, with a more advanced curriculum.  It Includes a daily movement class in ballet and creative movement, as well as modern dance and improvisation, the ballet Swan Lake, valuable lessons in music analysis, dance history, vocabulary, nutrition, and anatomy. Ballet Campers will perform a short dance for parents at the end of the week
 June 25 – July 6, 9:00 – 3:00    (No camp July 4)  $400.00  ($86.00 discount)

To Register for Ballet Camp, Please call Rockland School of Ballet, or email missemily@rocklandballet.org or check www.rocklandballet.org for the registration form.

Secure hair is very important

Class at RSB is very hands-on

All Photos of class by Jacob Gerritsen.

First Pointe Shoes

Must try many shoes to find the right pair.

Getting the first pair of pointe shoes is very exciting for a young dancer. But - pointework is serious business - not to be taken lightly. It is very physically demanding, strenuous, harmful if too soon. Correct placement, good balance, and not rolling the feet are essential. A good attitude in class and out of class is also important.
When Emily puts on her pointe shoes in class today, it will be at the end of class. The last 15 minutes only. And she will work in her pointe shoes at the barre only for some time. 

Thalia Mara says in her book On Pointe: "One of the greatest evils committed by ballet teachers is the pointe lessons which they give to physically unprepared children and children who are entirely too young to learn this form of dancing with safety." 

We certainly want Emily and all dancers to have a very long dance life - not shortened by the impulse to do too much, too soon.

Emphasis on Parallel Position

When entering ballet lessons with Miss Emily, young dancers are started in parallel position - also known as ballet 6th position. Why does Miss Emily not emphasize a "turned-out" 1st position? Famous ballerina, Margot Fonteyn says it very well, "Turnout is generally thought of as turning the feet out so the toes point out to the sides instead of to the front. But it is not just the feet that must turn, but the whole leg from the hip joint. The common fault is to turn the feet out farther than the knees and the hips, which results in what is called "rolling in". What is wrong with rolling in is that the whole sole of the foot is no longer in firm contact with the floor, and it is that contact which is the most valuable thing a dancer has. From it comes stability, control, and most important of all, the power to spring up into the air. It is dangerous to force even the more supple (children), because their bones are growing and still soft. From all this, one can see why just how advisable it is to go to a good teacher in the first place. One cannot be too careful with young children. If a thing is worth doing, it is worth doing well."